Tuesday, 27 August 2013

The ruins of Behat

Listening to my husband talk about his family is like having someone recount the stories from some storybook that comes from the era of black and white films. His father was born in a haveli and his family till date boasts of a living Sufi saint who presides over the Kaliyar Sharif Dargah. They have had Sufis for generations. And I strongly suspect the Sufi gene in my husband for the dharamshala that our house turns out to be at times!

They are the Shahs of Behat and according to Wikipedia, "Behat is an ancient town and a nagar panchayat (municipality) in Saharanpur district on the northern tip of the state of Uttar Pradesh, India..." Wikipedia cites from A Gazetteer of Saharanpur District District Volume XIV: Gazetteers of the United Provinces edited by H. R Neville what is the origin of my husband's family - "During the reign of Bahlul Khan Lodi (1451–1489), a Muslim colony was founded at Behat by Shah Abdullah, who was a descendent of the Saint Sheikh Baha-ud-din Zakariya Suhrawardi. Western part of Behat along the Naugaon Rau is named after him as Abdullah Mazra." Thus, the Shahs of Behat are the direct descendants of Shah Abdullah which is why, I later understood, everybody in the family writes Shah before their names and not after their names. When I first met my husband years ago, I was curious about his name - Shah Nadeem. And "kahan ke Shah ho tum? (and you are the Shah/emperor of which place)"  used to be my favorite refrain. When I met the men of his family, I realised what the case was. And when I saw the shrine of Shah Abdullah in Behat, I must say I did get goose bumps.

Here, I seek to post some pictures of the ruins of Behat, the ancestral haveli of the Shah family which is in ruins. But there are portions of the haveli where the members of the family are still living. Partition marred the haveli and its residents. Most of the family members migrated to the haveli they were given in lieu of the one in Behat in Pakistan. But my husband's grandfather stayed back. And his stock now bears testimony to the life and times of Behat and its ruins.

  one of the entrances to the haveli

 the small charming lanes of Behat

 next to the main gate is this old 'kacheri' (court of justice) where the Shah family's grandfathers of several generations presided

 family members enjoy evening tea in the parts of the haveli which are still in use

 a well, covered, as old as the place

 the double-storied haveli in ruins now...

 ruins which have a lot of stories to tell

Saturday, 10 August 2013

celebrity makeover artists Trinny Woodall and Sussannah Constantine on fashion and Indian women (Deccan Herald, 11 Aug 2013)

http://www.deccanherald.com/content/350343/all-dressed-up.html


All dressed up

Aug 11, 2013 : 
TLC’s style gurus Trinny & Sussannah hit the Indian shores to transform women into confident, stylish individuals. Juanita Kakoty talks to the duo about their experience in India.

Lifestyle channel TLC is all set to bring renowned makeover artists Trinny Woodall and Sussannah Constantine on Indian television for the first time ever with the new series Trinny and Sussannah’s Makeover Mission India. The series will start from August 12 and will showcase how the celebrity duo changes the way participants look and feel about themselves.

British fashion advisors, presenters and authors Trinny and Sussannah are best known for presenting the television series What Not to Wear that was launched by BBC in 2001. Their fashion advice books have become bestsellers in Britain and America and they have also launched their own clothing and underwear ranges.

On Indian women

On being asked how difficult or easy was it working with Indians, Trinny admits, “Indian women want to be polite. And whenever we put something together for them and they didn’t like it, they wouldn’t tell us out of politeness. So we changed the way we worked with them. Sussannah and I took a different approach and started asking them, ‘What is it that you don’t like in this?’ We tried to find out what was going on in the woman’s mind when we were giving her a makeover. We wanted to know about her life experiences, her choices, her tastes, her personality etc.”

Trinny and Sussannah have come to India after giving over 11 countries a makeover. The audience will see them giving a new set of women a complete makeover in their own inimitable and incredibly entertaining style in each episode. Their mission is to give style challenged-women a dramatic and glamorous makeover, women they have picked randomly while walking on the streets and these women come in all shapes, sizes, fashion preferences and personal backgrounds. The duo hunted for anyone in need of their help and expertise.

“The women on our show are from many different situations. There was someone whose husband was dead and found herself all alone. Then there was this girl who was embarking on a career and was in need of confidence. Our show has many such women from different walks of life, who were in need of fashion makeover and, most importantly, in need of confidence.” 

Trinny refers in particular to this woman who was working in a man’s world and thus dressed like a man. “Just to prove herself probably,” says Trinny, “She dressed like a tomboy — baggy pants, loose shirts, sport shoes. She never felt attractive as a woman. What Sussannah and I tried to do with her and all of the other women was to make them appreciate what they really have. And when these women walked the ramp for family and friends, the experience boosted their confidence to great levels.”

The rewards of their efforts have been immense. “Sussannah and I saw that most women went back home happy with their makeover. But there were some who had all their emotions written on their faces. It was like they have entered another stage in their life. That something has shifted within them.”

Fashion scene

Trinny says that she has been to India at least 10 times before and that she loves the country. Particularly of the fashion she gets to see on Indian streets, Trinny says, “It’s a mixture. In traditional dresses, I love the colour, the fabric, the texture. In western wear, I see them wearing neat but dull colours — black and white. Then some do use colours like orange and yellow, or neon with white — and then again, if you have the skin tone, why not!”

After having spent considerable time with Indian women for the series Trinny and Sussannah’s Makeover Mission India, Trinny has a pertinent fashion tip to share with all Indian women. “A good bra is really important. Probably about 90 per cent of the women Sussannah and I worked with for the series were not in a good bra. In India, women tend to go for the cheapest bras or bras on sale where three bras come at the price of two, etc., etc. What they don’t realise is that a good bra is very essential to look good. It is important to lift and separate your boobs because that will make your clothes hang well on you.” 

Then she speaks of the trend to wear skinny jeans. “We noticed tons of women wear skinny jeans here in India. But it is not for all body types. Depending on the body type, one can experiment with different styles of jeans. For instance, you need to know that a certain body type will never look good in skinny jeans, but would look amazing in jeans with flares.”

Trinny also has a thing or two to say about footwear. “One should wear great footwear. Sussanah and I saw, while doing the series in India, endless pairs of sandals on kitty heels. It’s cute and pretty, but slightly old-fashioned. We would say go for heels, go for flats, but go for great footwear! Your footwear can do interesting things to the dress you wear.”

Friday, 2 August 2013

Gender friendly JNU (The Thumb Print, 3 Aug 2013)

http://thethumbprintmag.com/content.php?cat=Current+Affairs&content=Gender+friendly+JNU#.UfyEQbufQRQ.facebook

Gender friendly JNU

The recent case of a spurned lover hacking his female classmate before killing himself shocks former JNUite JUANITA KAKOTY

It is sickening to hear of a premiere institution like Jawaharlal Nehru University (JNU) adding to women’s woes in the already traumatized capital city of New Delhi. More so because I was a student there during 2001-2007 and JNU has shaped me as a humane and social being much beyond what I could perhaps express in words. Coming from the frontiers, I was always an outsider in Delhi. I was made to feel like an outsider for almost three years because of the way I looked and spoke, especially Hindi. Till I came to JNU. For the first time, I felt at home in Delhi. There were many like me: from the frontiers, from India’s remotest corners who empathized with each other and helped each other to grow.

Coming to the recent case of murder where a spurned lover hacked his female classmate with an axe before taking his own life, I see it as a case of education and exposure gone waste on a university student. His inability to take no from his classmate had deeper moorings which obviously education could not mend. For most of us, the space JNU provided allowed a transition to maturity in understanding and action. Apart from interactions with the teaching faculty, frequent open debates through fliers, hand-made posters and lectures on burning social, political and moral issues educated and benefitted us. JNU transformed us and enlightened us. I, for one, would definitely want my children to go to JNU not for just getting a degree that will get them a job, but also to go through experiences in life that will make them stronger and richer.     

From what I remember from my days in the university, no one cared if you moved about the campus in chappals and pajamas. But yes, if anybody teased a girl or misbehaved with her, physically or verbally, god save you then! Student bodies and the Gender Sensitization Committee Against Sexual Harassment (GSCASH) knocked the daylights out of these individuals. The campus was extremely women-friendly. I used to come back at about midnight all alone from the library to my hostel, which was a good ten-fifteen minutes walk, and in all those years never faced any untoward incident. Never did I ever hear my female friends complain of any undignified action towards them.

There used to be the age-old joke though how in the matrimonial advertisements from the prospective groom’s side there would be the occasional mention about “JNU girls need not apply”. A “JNU girl” was, I am not too sure if it still is (and I would like to believe that it is not), obviously seen as ultra-modern, fast, independent-thinking who moves about with men, chats with them, has no qualms about sharing tea and a drag with them. I understand these images jeopardize notions about how the Indian woman should be for some people. But these images don’t give anyone the right to misbehave with her.

In the recent murder case, the police recovered a four-page suicide note written by the assailant, where he mentioned feeling slighted by the girl’s indifference to him of late, that his "ego was hurt". In the past, there have been other such stories that have placed JNU in a precarious position, if not in the media then in people’s minds: The rape case of October 2012, the suspension of a professor for sexually harassing a female student, the MMS scandal in 2011. Sadly these are all cases of education and exposure gone waste. And it is disheartening because they mar the image of an institution like JNU which continues to produce some of the finest minds of the country.   

Tuesday, 23 July 2013

My short story 'Love, virtually' published by Writers Asylum (23 July 2013)

http://www.writersasylum.in/2013/07/fiction/love-virtually/

Love, virtually

The Zenana burst into a riot of sequins and brocade. Women in elegant ghararas flooded the room. They sat around chatting with each other or admiring the bride’s finery. There were many who were busy getting themselves clicked: with the bride, with those around, and several solo shots posed here and there. Those pictures were immediately shared through mobile phone applications to all those who couldn’t make it to the wedding; as well as with all those unconnected to the wedding. Then there were a few who planted themselves by the window stealing glances at lovers or would-be lovers. Zuveria was also there but only for “eye candy”, as she claimed, while giving company to her cousin trying to catch a glimpse of her fiancĂ© in the courtyard below. That was when she saw him, dashing in an off-white sherwani, sharing a laugh with the groom. A lingering desire welled up as she fought hard to tear her eyes off him. She quickly fished out her mobile phone and sent him a blank message, after almost four months.
Shaukat looked at the unknown number displayed on his phone. He hated taking calls he didn’t recognize, especially in the middle of the night. He glanced at his wife sleeping by his side, unaffected by the shrill of the ring-tone. This might be an emergency, he thought, and spoke in a hushed voice into the receiver, “Halo?”
“Shaukat Sir?”
“Yes.”
“I love you.” And the phone went dead. He was nonplussed. He was staring into the phone when a message came from that number.
“I alwyz c u at the univ. I am ur biggest fan. I luv u so much dat it hurts!”
Shaukat sent a very timid, “Who is this?” to which the reply came, “You’ll know 2morrow, in class. I’ll be wearing yellow suit and green dupatta.”
The next day in college, the young lecturer looked out for anyone in that description. He had joined two months ago and was already attracting more than the attention he had anticipated. It was when taking attendance for his first class of the day that she stepped in, gorgeous in her dress, long hair bouncing with every step, eyes smiling at him. Suddenly he felt shy. Not bad, he thought.
For the next few days this is just what happened. They saw each other in class and then a torrent of text exchanges followed in the night. She declaring her desire for him; Shaukat counseling her on her state of mind! “Listen dear, you are young and at a very impressionable age. It is normal to have crushes on teachers at this stage.”
“Don’t humiliate me, this is no mere crush.”
“Concentrate on your studies not me.”
“U do ur work. I’ll do mine. When in class, I can see nothing but u.”
“At this rate, you’ll see not much in your result sheet too!”
“Don’t worry about me. I’ll do well in studies!”
“See, I am married. You are wasting your time.”
“I don’t care.”
Such exchanges went on every night for a month. During that time, Shaukat had coffee with the girl and a few of her classmates a few times. There was nothing unusual about those meetings. A group of students with a teacher having some coffee and conversation! But they made him realize what a charmer this girl was. She was well-read, made good company, had a spell over her friends and was giving him all the attention when there were many who pined for it. He began to slowly give in to her charms without even realizing it. He stopped going to bed at the same time with his wife. He would be on the phone in the bathroom, out in the balcony or in some other room for long hours. Not that he was confessing any love for her yet. Their conversation still bordered on her declarations and his sympathetic counseling.
“I love you.”
“Listen, you are a bright girl. You have the potential to excel. Concentrate on your work and I am always there to guide you.”
“Don’t preach. Be romantic!”
“Zuby, I am married for God’s sake! Don’t talk like that. I know I like talking to you. But can’t we just talk like friends.”
“I am not interested in being your friend.”
“Ok then, good night for now.”
“No.”
“Yes.”
“No.”
“Yes! See you in class tomorrow.”
“And for coffee after that!”
“No.”
“Ok then. I am not keeping the phone down.”
“Alright. Coffee. But get a couple of your friends along. I don’t want to be seen alone with you.”
“Hmm. So that’s the courage you have!”
“Get married once and I’ll see how much of courage you have. Good night!”
“Here’s a parting gift for you!” saying that she sent him a loud kiss and quickly disconnected the phone.
Smiling to himself, Shaukat entered the bedroom to find his wife up and looking hard at him. “So, who was it?” It knocked him off his feet for a while. “What are you talking about honey?”
“Who is this muse who keeps you busy on the phone at nights?”
“Oh! Some student going through a bad time! I was just counseling.”
The wife tossed herself on her side and slept off after saying, “Ask him or her to call up during the day or to meet you in college. Why lose your sleep over it?”
That night, Shaukat spent a long time mulling over what was going on. He knew he was not cheating on his wife, the woman whom he met eight years ago at a common friend’s party and fell in love with immediately. A student of Art History at the Pennsylvania State University, Shruti and Shaukat sat in a corner that whole night and talked about Mughal paintings, politics in the expression of the arts, paintings of the Himalayan belt, flora and fauna in Delhi, etc. The next day, Shruti took Shaukat to Lodhi Garden and introduced him to nature in Delhi. Four years in Delhi, yet he never thought that the city could be so beautiful. And that is how their romance began. They visited every garden and park in the city, went to all the archaeological sites and spent time marveling at the architectural wonders nestled amidst the splendor of nature. They also spent a lot of time at Jawaharlal Nehru University, where Shaukat was pursuing a degree in Political Science, on its winding roads guarded by a variety of trees and shrubs, at some bend behind a hostel, or atop the huge stone at PSR where they watched airplanes, huge from close quarters, fly past over them. After she left for Pennsylvania, Facebook and Skype kept their romance alive. They were in touch and in love every single day till they got married. And then, the vagaries of married life took over.
Now that they stayed in the same house, Shruti and Shaukat required no technology to keep them connected. They slowly slipped out of each other’s Facebook memory. And smses like “When you reaching?” “Get some fruits.” “Take out some money before coming home.” “Guests coming for dinner today don’t be late” etc. replaced the hugs and kisses and sweet-nothings of earlier times. They were not going to the parks or gardens anymore. Office and social engagements left no time for that. Their lives were falling into a routine when that fateful day, Zuveria called up Shaukat in the middle of the night. What started on the phone quickly moved on to Facebook the night Shruti confronted Shaukat.
Zuveria refreshed Shaukat. She was not talking about groceries and family get-togethers and flushing the toilet and putting the cap of the toothpaste back on. There was too much of a risk in continuing his telephonic rendezvous with her in the nights, so they came to an arrangement. He would kiss Shruti good night, go to the Study with his laptop in the pretext of work and send a blank sms to Zuveria. If she responded with a blank message too, then he would log on to Facebook and chat through the night with ‘Earthy Zuby’. Earthy Zuby had no other friends on Facebook. This profile was just for her sweetheart.
Those chats with Earthy Zuby opened him to the world of a small town girl, her aspirations and boundaries. He learnt that twenty year old Zuby was from a feudal family in western Uttar Pradesh. She had never spoken to any boy outside her family, leave alone romance him. Not that she moved around the town much either. There were strict restrictions as to whom she could meet and where she could go. And whenever she went out she had to wear the naqab. It was good fortune that she was good in studies and with a good deal of support from her grandfather, she made it to Delhi University. No hostels for her, declared her father, as that could throw up chances of spoiling her. She was put up with relatives at Okhla in South Delhi.
Shaukat was not the only distraction in her life. She had been attracted to a few boys before in her hometown but those were merely cases of stolen glances. With Shaukat, it was different. He reminded her of her grandfather, his warmth and sensitivity. And when she fell for him, she just couldn’t pick herself up. It was like drowning in a sea of madness. All sense of ego dissolved and she didn’t know what she was doing anymore. And when she heard that he was married, she cried for one whole week. Yet, her heart longed for him and she decided that it wouldn’t be jeopardizing his married life if she continued loving him without asking him to forgo his marriage. She would love him for life.
It is this unconditional love that sent Shaukat into a dizzy. They talked about poetry, of Sufism, biryani, korma and kebabs, mango orchards and every other thing that brought him memories of his childhood. Zuby touched a part of him that could never be grasped by Shruti. And that brought him closer to Zuby in such a way that they would begin their virtual romance with her enquiring, “And how is the family life going?”
Him replying, “Alhamdulillah, all well!”
Then one day, Shruti chanced upon her husband’s virtual romance like all wives do by some stroke of fate when their husbands are on a parallel path. Teary-eyed, this is what she told him, “Go live with her in the same house for one month. Please, for my sake. And then if she doesn’t turn out like me trying to run a house, come and tell me!”
Since that day, Zuby stopped calling him or texting him. He asked her not to. Earthy Zuby disappeared from Facebook too after several failed attempts at trying to draw his attention. And then, that day, she saw him at the wedding laughing with the groom. Her heart lurched and the old madness forcibly buried somewhere surfaced. She sent him a blank text. Shaukat looked at his phone, held it a wee bit longer than he should and smiled at it before putting it back in his pocket. She sent him another text, but this time with a message, “I am seeing someone.” When she looked out of the window, he was gone. A few seconds later, a response came, “Congratulations! Stay blessed!”

Glossary
Zenana: The inner apartments of a house meant only for the women
Gharara: Traditional attire worn by Muslim women of north India
Sherwani: Traditional attire worn by Muslim men in north India
Naqab: Veil

Monday, 15 July 2013

Folk songs of Assam (Deccan Herald, 14 July 2013)

http://www.deccanherald.com/content/344599/tradition-verse.html

Tradition in verse

Juanita Kakoty, July 14, 2013 :
Folk songs


The folk songs of Assam are so rich that Assamese musicians have time and again drawn inspiration from them. 

All great musicians of the land from Bhupen Hazarika, Jayanta Hazarika, Pratima Barua Pandey, Dipali Barthakur, Khagen Mahanta and Beauty Sharma Baruah to the currently popular Zubeen Garg and Anagaraag (Papon) Mahanta have engaged with the huge folk repertoire. Even Bollywood has a few songs inspired by Assamese folk music like Ghon Boroxun Pisol Mati ringing in Naushad’s popular Dukh Bhare Din Beete Re Bhaiya for Mother India (1957).

“In Assam, there is a folk song for every stage of life,” tells me 56-year-old singer and composer Rumi Goswami. She has been researching the folk music of the land, working on blending Bihu with the other folk songs of India for the last 25 years. “There are songs to be sung when a child is born, when one is getting married, etc. All these folk songs are spontaneous, inspired by the music in nature.”

The folk music of the land is varied. “Goalparia songs are about people’s lives. The mahout friend was made famous by Pratima Barua Pandey in her immortal songs Hastir Kanya and Mur Mahout Bondhure,” says Goswami. A mahout is one who rides an elephant usually assigned to him early in life. These songs are a part of the Rajbongshi community of lower Assam and were slowly disappearing from public memory as the history of the land changed with geo-political alterations and communities in the periphery set about acquiring new identities. Pratima Barua Pandey revived these songs and saved them from disappearing into the oblivion.

Regional variations

“The songs prevalent in the Kamrup region of Assam are known as Kamrupia folk songs,” informs Goswami, “And they are mostly either religious compositions or based on social themes and values. Rameshwar Pathak was highly accomplished when it came to Kamrupia folk songs.”

Lower Assam also has the Baramahi Geet folk songs that depict the sorrow of a woman whose husband is away on work. They are, in fact, songs of seasons in which the seasons are described along with the pathos of the women, the hopes and hopelessness of their lives, and the social and religious rules that bind them.
 
Biya Naam, Goswami adds, are marriage songs sung by women in the various ritualistic events in a wedding. They are about the life of the bride in the village where she was born and brought up, her relationship with her brothers, sisters, mother and father. Goswami elaborates — “At the time of the wedding, when the bridegroom arrives at the house of the bride at night, the women sing songs criticising the bridegroom and the best man. The women accompanying the bridegroom respond by criticising the bride”

“One of the most ancient folk songs of Assam is the Aai Naam,” relates Goswami. People in the pre-literate days worshipped Aai, the Goddess of smallpox. It was believed that the one suffering from smallpox was possessed by the goddess, and Aai Naam was performed. The women of the village performed this ritual and sung these folk songs which describe the goddess, her qualities, and legends about how she cures patients.

“Then there are the Nichukani Geet,” Goswami goes on, “Lullabies that describe fearful characters, or talk about how good the child should be so that a jackal or whatever would not come and steal it. These songs also dwell on the stories of Krishna’s childhood.”

Goswami talks about other forms of folk songs like Garakhia Geet and Nao Khelar Geet (songs of boat races). Songs sung in the praise of garakhias (cowherds) as well as those sung by garakhias are called Garakhia Geet. “Nao Khelar Geet is usually sung at the time of boat race in Barpeta.”

Popular influences

The origin of the popular folk songs Zikir can be traced to the 16th century Muslim religious reformer Shah Miran, also known as Azan Peer, who preached unity among all castes and religions. He came to Assam from Baghdad and was a disciple of the celebrated Chisti saint, Shaikh Nizamuddin Auliya. The devotional songs, or Zikirs, composed by him, have been influenced by the other Assamese folk songs like Ojapali, Bihu, Biya Naam, etc., and often have resemblances to Tokari Geet. Tokari Geet, Goswami says, touches upon the concept of the soul and the Supreme Being, and is accompanied by the single-stringed musical instrument, Tokari.

The most popular of folk songs in the region, of course, is the Bihu Naam originating in upper Assam. Sung during the Rongali Bihu festival in April, it is a celebration of spring and the Assamese New Year. “These songs are mostly based on youth, love, hope, nature and romance,” points out Goswami.

Cutting a long story short, music is intrinsic to the land and to the essence of the Assamese spirit. Those who have lived in Assam know that the huge reservoir of folk songs carry a whole world of wisdom and heritage in them.

Saturday, 29 June 2013

Ranjan Engti's art with social messages (Deccan Herald, 30 June 2013)

http://www.deccanherald.com/content/341719/art-message.html

Art with a message

Juanita Kakoty, June 30, 2013, DHNS:
Positive notes
Extending beyond the canvas, Ranjan Engti’s art acts as a tool of positive social change, writes Juanita Kakoty, after an interaction with the artist who is redefining public conceptions of art

Young and dynamic Karbi artist Ranjan Engti has set a whole new standard for artists, viewers and critics with a range of work that depicts socio-political issues. His work has been exhibited and critically acclaimed at galleries in different parts of India as well as the US, and has been constantly reviewed in various publications. The 28-year-old has been making his presence felt in creative circles in Delhi as well as the northeast with his bold colours and imagery influenced by Warhol and Pop Art.

“My style is very contemporary,” Ranjan tells me. “I believe that art is not just canvas. For people to appreciate art, art installation and ambience are important.” Graduating from Hans Raj College, Delhi University in 2003, he came back to Guwahati in 2010 to change the art scene in the northeast with his reality and abstract paintings. 

In the forefront

“I merged art with popular media. We began with an outdoor exhibition at the Racquet and Billiards Club, where we did an underwater display. This is how I started Metropolis, an art event based around the concepts of urban identity, urban struggle, etc. The idea grew, and with the help of other northeastern friends, I took it to the other northeastern states: Meghalaya, Nagaland and Manipur. In Metropolis, we mix art with local activities, as well as with the local flavour of a place. In Metropolis 2013 held in Guwahati, for instance, we brought the activities and experiences in the different northeastern states under one roof,” he adds.

Taking art to people

To speak of his latest work, Ranjan is involved in the ‘I am Responsible’ campaign under the Metropolis banner. “My work and art installations have received a good response from people. Everyone, from children to adults, has loved the experience. The Deputy Commissioner, Ashu Agnihotri, loved the concept and said that we should take art to people, combining it with the development of civic sense. That is how the ‘I am Responsible’ campaign was conceptualised. The idea was to emotionally appeal to people.” 

This is an initiative, Ranjan says, of the District Disaster Management Authority (Kamrup Metro), in association with the Directorate of Archaeology. “In this campaign, we are raising awareness about urban floods, landscape, waste disposal, etc. through our art. The next phase will start in 2014 when we hope to begin implementation.” 

For this event, Ranjan and his team have not only sketched heritage sites and buildings of the city, some of which are no longer functional, but have also created a gallery with old photographs to show how Guwahati was a hundred years ago, and how it is now. “As I said, art is not just canvas for me. Its scope is wide.”

The accomplished artist, however, laments the negligence he sees in people for the arts. In fact, as a student, he had to engage with the arts without his family’s knowledge! “I started painting from my childhood. At our school, Jawahar Navodaya Vidyalaya in Tejpur, there was an environment facilitating the exchange of artists and art teachers. After high school, I went to Delhi University hoping to do a course in art. But my family vetoed the idea and I took up history. But from my second year onwards, I got involved in our college’s Fine Arts Society. Also, around that time, a few of us formed a group called Curves and Shapes, which still exists today. Of course, my family did not know about any of this!”

Plans for future

Thus, he says, it is his dream to change the perceptions people hold about the arts. “Despite the pool of talent that we have, art over here generally happens in a dull environment, in the corner of a sad gallery. But if the presentation is good and can be taken to people, then art can be appreciated here as well, just as it is in Delhi and Bombay. This is what I am striving for.” He has great plans. “Nagaland has the Hornbill Festival, Shillong has its Music Festival, but Guwahati has no such yearly event. I am trying to establish Metropolis as one such event focused on art.”

It is heartening to listen to the young artist with his ideas and zeal for his work. “I draw inspiration from everything in life,” he says. His art inspires and captivates. His works speak with a voice that reverberates through society and politics. They cannot be ignored.

Saturday, 15 June 2013

Dakota Fred Hurt on gold mining and the 3rd season of Gold Rush (Deccan Herald, 16 June 2013)

http://www.deccanherald.com/content/338938/striking-gold.html

Striking gold

Jun 16, 2013 :
After two successful runs, the  third season of ‘Gold Rush’ is back. Juanita Kakoty talks to 67-year-old miner Dakota Fred Hurt from Alaska, whose crew will be showcased this season.

Gold fever strikes again, as the reality TV series Gold Rush returns with Season 3 this month, every night at 10 pm, on Discovery Channel. After two years of equipment breakdowns, infighting and battling Mother Nature, in Season 3, four competing gold mining crews have finally made it to the big league.

Sixty-seven-year-old Dakota Fred Hurt, who runs the Porcupine Creek mine in Season 3, shares his experiences about the incredible journey. “I retired when I was 60 years old, 10 years ago, and I went into gold mining immediately. Money was the last thing on my mind when I went into mining.

And I had a son-in-law who wanted to get into gold mining as well, and I said ‘sure, let’s go’.” Dakota Fred confesses that he basically went for the adventure “to do something I wanted to do in life, and also because I had been in construction work all my life.”

Dakota Fred began his construction career in the late sixties, working as a commercial diver in the Gulf of Mexico, where he learned underwater construction, demolition and salvage — skills which went on to be of immense help in gold mining.

A late success
He went through a few unsuccessful seasons of mining at Porcupine and Caribou Creek, Nevada, Wyoming and Montana. In 2008, he returned to Alaska — this time to the frozen wastes of the Arctic Circle — to a claim at Little Squaw Lake, where he helped design, build and operate a gold processing plant. He struck gold when in one short season, his five-man team managed to extract over 600 ounces of gold from the frozen ground. 

This is what he has to say about the challenges faced then — “They had a record snowfall in the Haines area where we were mining, right there in Alaska, and normally, when you drive up after it has rained, there is, maybe, a little bit of snow here and there on the side of the road. But when we drove up, there was over four feet of snow still, everywhere, level, and it’s much, much higher. So we had quite a surprise when we showed up.”

The show takes one back to the age of the gold rushes that happened in the 19th century in Australia, Brazil, Canada, South Africa, and the United States, as feverish
 migration of workers took place to areas for the dramatic discovery of gold deposits.

 Although gold mining did not turn profitable for most diggers and mine owners, yet there were a few who made large fortunes. There is a huge body of literature available, where historians have written extensively about the migration, trade, colonisation, and environmental history associated with gold rushes. Hollywood has produced many classics on this theme as well.

So gold mining has always had a charm and dreams of becoming wealthy instantly attached. It might sound quite interesting and make many enthusiastic about the prospects, but there are plenty of hurdles on the way. 

“Mining is not easy,” Dakota Fred says. “I mean it is a heavy duty construction job. I’ve been in the construction business all my life. I worked hard, kept myself in good shape, and I liked that aspect of work. Everybody says, ‘well Fred, you could take it easy, and do a lot easier job’. But I find this work quite satisfying, to get out there and work a good 10-12 hours a day, and have the satisfaction of finding a little treasure at the end of the day.”

On collaboration
On his association with the Discovery reality TV series, Dakota Fred says that the Gold Rush film crew was researching for survival stories for another documentary and posted its topic on an online message board. “We just responded to this post and told them we were starting a gold mine in Alaska. They called us and the rest is history.” 

He continues, “Well, in Season 3, we came across a structure; we worked into the hole that we’ve been working in, we moved over toward the creek a little further and up the creek, and we were absolutely stunned. We did well this year, we did very well. I think all the other crews did well, but we did particularly well. I went out there to have a lot more fun this year. We’re going to try to bring in more people, some more equipment. And hopefully, we won’t have quite as many breakdowns as we did last year. This year we did have breakdowns. But I think anything we break, we fix pretty quick.”

The competition might be tough, but the happily married Dakota Fred with four kids, six grandkids and five great grandkids signs off by saying that the competitors have always helped each other — “Well, the crew in Dawson is absolutely isolated from us; it’s about 350 miles away. But Parker, the Schnabel mine, is right across the creek from us, and we do favours for each other back and forth.”

Zaara’s video blog :)

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